Which of these would NOT be a characteristic of romantic values in concert halls?

The distinguishing characteristic of romantic values in concert halls is their emphasis on grandness and emotional expression. During the Romantic era, concert halls were typically designed to reflect the grandeur of the music being performed, often featuring imposing architecture and elaborate decor. This aligns with the era's ideals of individual expression and emotionality, which were core to the composition and performance of music at the time.

The notion of constructing smaller, more intimate venues does not align with this trend. Instead, the Romantic period favored larger spaces that could accommodate the dramatic and powerful nature of orchestral music. These larger concert halls often sought to enhance the audience's experience of the music, emphasizing the emotional depth and complexity inherent in Romantic compositions.

As for the role of the conductor, this period saw a significant evolution in their importance, with conductors emerging as key figures who interpreted the music and guided the orchestra's emotional expression, further solidifying their critical role in the concert experience. Thus, the focus on grand venues and the pivotal role of the conductor were central to the romantic concert experience, while the idea of smaller, more intimate settings diverges from the romantic aesthetic.