Which of the following musical details about the Erlking (1815) is NOT true?

The statement regarding the chords at the end signaling how the boy is ultimately saved is not true. In "Erlkönig" by Franz Schubert, the conclusion of the piece is marked by an intense and somewhat tragic resolution. The boy, who is being pursued by the Erlking, does not achieve salvation; rather, the music culminates in a dramatic and dark finish that reflects the grim outcome of the story.

In contrast, the other details are accurate. The piano does indeed mimic the sound of horse gallops throughout the piece, creating a sense of urgency and movement. Each character—the father, the son, and the Erlking—is given a distinct vocal style, allowing listeners to easily identify who is speaking. Additionally, as the narrative advances, the music intensifies, contributing to the sense of rising tension and drama in the story.