Which of the following is NOT true about the virtuosos in the Romantic period?

In the Romantic period, virtuosos were primarily known for their extraordinary technical skill and expressive performance, which often focused on secular music rather than sacred compositions. The idea of a virtuoso centers around individual artistry in genres such as opera, concertos, and solo instrumental works, showcasing emotional depth and personal interpretation. Although some virtuosos may have performed sacred music at times, it was not their primary focus, and their renown largely came from engaging with the popular concert music of their day.

The other statements highlight true aspects of the virtuoso's role during this period. Many believed their exceptional talents were divine gifts and often formed collaborations with contemporary composers, enhancing both their reputations and the music of the era. Moreover, improvisation was a significant element in their performances, reflecting the spontaneous nature and creativity characteristic of the Romantic style.